The National Times - Benin exhibits stolen treasures returned by France

Benin exhibits stolen treasures returned by France


Benin exhibits stolen treasures returned by France
Benin exhibits stolen treasures returned by France

Benin President Patrice Talon on Saturday will inaugurate an exhibition of historic artworks returned by France last year, nearly 130 years after they were stolen by colonial forces.

Change text size:

The 26 pieces, some considered sacred in Benin, will be displayed from Sunday in a 2,000-square-metre (21,500-square-foot) space in the presidential palace in Cotonou in a show entitled "Benin art yesterday and today".

The return of artefacts by France comes as calls grow in Africa for Western countries to hand back colonial spoils from their museums and private collections.

Britain, Belgium, the Netherlands and Germany have all received requests from African countries to return lost treasures.

The 26 pieces returned in November after two years of negotiations between Paris and Cotonou, were stolen in 1892 by French colonial forces from Abomey, capital of the former Dahomey kingdom located in south of modern-day Benin.

"With this exhibition, we are returning to the Benin people part of their soul, part of their history and their dignity," Benin Culture Minister Jean-Michel Abimbola told AFP.

The objects "were taken from a kingdom, but they are returning to a republic."

Before its unification Benin, consisted of several kingdoms, including Dahomey, which was known for its vibrant artistic culture.

In the first room of the exhibition, immense black walls offer solemnity for a display of the thrones of Dahomey, including the wood and metal sculpture throne of king Ghezo.

"Since it was installed, I haven't stopped contemplating it," said Theo Atrokpo, one of the exhibition guides.

"I had already seen it in the Quai Branly museum in France, but to see it here, home with us, it brings back part of our soul and connects with his our history."

-- 'Very emotional' --

President Talon will officially inaugurate the event on Saturday evening before it opens to the public.

Alongside the royal treasures, the works of 34 contemporary artists have been selected for the exhibition.

"It's very emotional to be in front of this throne. But I never imagined it would be so large," said Laeila Adjovi, a French-Benin artist whose work is also being displayed.

French President Emmanuel Macron has worked to restore African heritage and Benin's culture minister said discussions were ongoing to return other objects, including the sculpture of the god Gou, which is in the Louvre Museum in Paris.

French lawmakers have passed a bill allowing Paris to return artefacts to both Benin and Senegal, another former French colony.

Some were seized by colonial administrators, troops or doctors and passed down to descendants who in turn donated them to museums in Europe and the United States.

But others were gifts to missionaries or acquired by African art collectors at the start of the 20th century or discovered by scientific expeditions.

A report commissioned by Macron counted some 90,000 African works in French museums, 70,000 of them at the Quai Branly alone.

C.Stevenson--TNT

Featured

The Nile Theater Announces Full 2026 Concert Lineup Including Menzingers and Shakey Graves

The Nile Theater in downtown Mesa has unveiled its full concert calendar for 2026, continuing its role as a central hub for live music in the Valley. The historic venue will host a diverse array of acts across its main room and Underground stage, with notable performances scheduled from August through December.

Venezuelan Artist Oswaldo Vigas Retrospective Opens in Guangzhou

The Guangdong Museum of Art in Guangzhou is hosting a retrospective of Venezuelan artist Oswaldo Vigas, titled "Reality Is What I Imagine." The exhibition features monumental works from his seven-decade career, exploring the intersection of Latin American heritage and global modernist movements through a curated dialogue between Chinese and Venezuelan perspectives.

A lasting Dolly Parton legacy: childhood literacy

To nine-year-old Zenaida, it wasn't Dolly Parton's storied country music career that made her so great.

Therapy Culture Performance: How the Lindsay Clancy Trial Sparked a Trend of Viral Maternal Distress

The trial of Lindsay Clancy has become an unlikely focal point for a growing social media phenomenon among mothers. Rather than focusing on the legal details, many women are using the case to validate their own struggles with parenting, turning personal exhaustion into viral content. This trend highlights a shift in how maternal stress is perceived and shared online.

Change text size: